pinoqino:

Wish Upon a Star

A voice calls softly
It calls from within
To trust my steps
And to keep on dreaming

Around night falls and all turns to grey
But I hold a light deep in my heart
I knew you were waiting right from the start

July 7,  at the Star Festival.

lyrics by Spirited away /Hayley Westenra (ENG Ver)

27 for maybe Courfeyrac and Combeferre for the meme? Unless there are others you’d prefer idk

takethewatch:

27. Things you said through a closed door

“Courfeyrac.  Courfeyrac.”

There’s no sound but the shuffling of his feet on the uneven wood floor of the hallway.  He tries again.

“Courfeyrac, come on.  I didn’t mean it.”  And then, because if he can’t be charming and he can’t be good with people and he can’t be naturally kind, at least he can be honest, he adds, “That way.”

“You meant it.”  Courfeyrac’s voice is stretched thin and uneven.

“I didn’t mean your family.  Courfeyrac.”

“Combeferre, go away.  I don’t want you here right now.”

Combeferre has never been able to read people well, but even he knows that this is Courfeyrac’s serious voice.  And yet.  He can’t bear to walk away, to leave things be when they are so terribly Wrong.  Not when it’s Courfeyrac on the other side of that door.  “I’m sorry,” he tries.  “It was rude and unthinking of me.  I didn’t–I’m not like you, Courf, I’m not good with people.”

The door is wrenched open, and Courfeyrac is there.  His eyes are wet but Combeferre knows he’s not really crying–he’s just angry.  (He knows him that well, God, he knows him so well, how is it that there is one person in the whole world who he actually gets and he’s still managed to hurt him?)

“I’ve heard that–that cowardly excuse from you too many times,” Courfeyrac snaps.  “It’s not good enough, Combeferre.  There’s a difference between being awkward, and being cruel, and you like to pretend you don’t see it.”

Combeferre ducks his head, heat rising to his cheeks.  Courfeyrac runs on, flinging out the words with frighteningly precise ennunciation, even as his tongue’s going a mile a minute.  “It doesn’t take any kind of social acumen to recognize when something you want to say might hurt someone–it just takes a little bit of logic and enough caring to actually stop and think about the facts.”

Unspoken: Combeferre literally has a master’s degree in logic.  Combeferre is a slave to logic.  Combeferre is the one who is constantly pleading with Enjolras and Courfeyrac to stop and think about the facts.

Unspoken: Combeferre doesn’t care about Courfeyrac.

It’s not true, Combeferre’s brain protests–and yet it’s where all the facts are pointing.  Given what’s gone down this evening, the logical conclusion is that Combeferre is a selfish bastard who likes people only for how they benefit him and doesn’t actually give a shit about Courfeyrac’s feelings.

And Combeferre is a slave to logic.

He turns away, and the door slams behind him and he can still hear Courfeyrac’s restless pacing around the room.  And he knows Courfeyrac well enough to know to text Joly with the suggestion he and Bossuet drop by to channel Courfeyrac’s angry energy into something less destructive than what he’ll come up with on his own.  He’s sent the text and received an affirmative reply (bless Joly, he doesn’t ask what happened), and has already let himself out of the apartment before he realizes that he’s once again proved that he knows Courfeyrac so well.

He really has no excuse.

As he turns up his collar against the cold, spitting rain that feels more like November than April, it occurs to him that he might also be being a little overdramatic, about the whole thing.  He said something shitty; now, twenty minutes later, he’s come to the conclusion that he’s an inhuman wretch with a rotted-out soul who’s probably going to die alone and deserve it.  It pains him to realize that that part of his personality is a fairly recent grafting, courtesy of Courfeyrac.

meripihka7:

eagle1sky:

Star Wars: Comics vs. Movies.

Yes, but the point is: which one hurts us more?

Luke the Jedi, strong in his conquered suffering, carrying the lifeless body of a man who was once prone to striding as proudly as Luke does now, strong and untouchable, but is now brought low and helpless by a final act of love. A stoic hero holding up a spent sacrificial victim.

OR

Luke the boy, recently tortured within an inch of his life, dragging a weight too heavy for him, but still struggling on with all the painful determination of a lonely child who’ll do anything to hold on to the dying father he has finally truly found again.

Discuss.

theallkiwiprophet:

Okay, so I saw a post saying Lin-Manuel Miranda said ‘The Story of Tonight’ was based on Les Amis… so this happened.