nativehueofresolution:

let me explain something

even if this is brainwashing

even if this is just an act

even if this gets retconned

even if this is nothing more than a dumb publicity stunt

it is part of an on-going trend at marvel that shows the appalling lack of respect they have for jewish characters and creators and the bizarre, sickening romanticizing of hydra, a nazi organization.

steve rogers is the creation of two jewish men who took a stand against nazism at a time when it was not popular to do so, and they received many threats for doing so. he was intended to be political; the first thing you see him do is punch hitler in the face. even if this new twist ends up being reversed or made into an elaborate ruse, we now know that marvel is willing to jeopardize this legacy for publicity. they don’t see it as disrespectful to toy around and twist the creation of two jewish men like this.

wanda maximoff and pietro maximoff, the jewish-romani children of holocaust survivors, are actively having their jewish heritage erased by marvel higher ups who say thing like “can you point me to a single story, just one, in which the ‘fact’ that wanda and pietro come from a jewish background is in any way relevant?”. not only this, but their jewish identities are being erased in the mcu and replaced with christian identities (wanda has a cross hanging in her room), while also re-imagining them as hydra nazi volunteers. this from the same mcu that routinely hires jewish actors and actresses and then erases their identities such as with natalie portman, kat dennings, rdj, gwyneth paltrow, and paul rudd; in the cases of some jewish actors like jon berthanal they actively replace his jewish identity with a christian one by making the punisher a (lapsed) catholic.

all the while they continue to glamorize the nazi organization hydra, playing up the meme status of “hail hydra”, having their employees wear hydra merch and describe themselves as hydra in their twitter bios. they even released a comic about an agent of hydra, intended to be a comedy, slice of life thing. you were intended to feel bad for hank, the protagonist, because he just saw it as a job and joined because of the tough economy, ignoring the fact that this was the case for many real world nazis as well. magneto, a jewish holocaust survivor, was villainized and basically held responsible for endangering the world because he attempted to kill the red skull, a nazi who was setting up new concentration camps. it was also the title in which his paternal relationship with wanda and pietro was erased. the series name was axis. 

this is not cute. this is not the type of stuff that can or should be ignored. this is just further proof of a seriously alarming trend going on at marvel, where they think flirting with nazi organizations is fun and ignoring and actively erasing the identities of jewish characters and the contributions of jewish creators is okay. do. not. ignore. this.

rainnecassidy:

arukou-arukou:

lostinfandom:

Best visual representation of functional depression I’ve ever seen. You go to work, do the things that people expect you to do, then come home and just… blank out. Microwave is your best friend. Cleaning makes no sense. Drinking helps a little, sometimes. Every evening is the same. Nothing ever changes except the amout of trash waiting to be thrown out.

This is why I loved Fraction’s Barton. Clint’s very visible depression gave me a hook that I could suddenly relate to. I’ve been where Clint was. It sucked. But seeing Clint keep going kind of gave me hope.

is… is that what that is?

fuck, that explains everything

kawaiite-mage:

helioscentrifuge:

mudkiphat:

marxisforbros:

“There’s a cure?!” asked the girl that kills everything she touches
“Hey shut up we’re perf” replied the girl that makes clouds. 

For real though. Storm has stopped an entire tsunami before. “Makes clouds my ass” she can conjure lightning and tornadoes and is revered as a god in her tribe. She literally changes atmospheric pressure and that’s how she flies. So fuck you. Storm is flawless.

I think you missed the part where the GIRL WHO KILLS EVERYTHING SHE TOUCHES wants to NOT KILL EVERYTHING SHE TOUCHES and everyone dismisses her incredible misfortune just because the lady who is the AVATAR OF THE STORM won the fucking SUPERPOWER LOTTERY

“Finally, a cure for my chainsaw hands!” decreed Chainsaw-Hands Joe.

“There is no cure,” said Johnny Five-Dicks. “There’s nothing wrong with us.”

thatsthat24:

tacorub:

darkchocolateandtea:

fuckingconversations:

teamfreekickass:

spiffypop:

thebraveandmischievous:

housetohalf:

mysnarkasm:

When I grow up I want to be Ming-Na Wen.

She’s the voice of Mulan, as if she wasn’t amazing enough.

She broke it with her fingers. Not a fist, her fingers.

Girl is 50 years old.

FIFTY. YEARS. OLD.

fun fact: When you break things with your hands like that you have t break your fingers on purpose before so that they heal stronger. So basically this woman is so badass she broke her hands just to do this. 

You asshat, you’re making it sound like she snaps her fingers in half. 

Martial artists like Jackie Chan and Bruce Lee (and yes, fucking Ming-Na Wen, that beautiful badass) will build up their bone strength by repeatedly (and fairly gently) striking sand, gravel, wood and steel – this creates tons of microfractures in their bones (smaller than even a hairline fracture) so the bones will heal over again and make the bones stronger and denser with increased deposits of calcium. 

This has to be done over long-ass periods of time, so the bones have time to heal, and none of the fractures expand into actual breaks. 

Oh, and she’s doing precise-ass kicks in HIGH HEELS. 

she kicks ass like a coursing river

Saw this post so many months ago and I still think about it from time to time lol so badass

Had the absolute pleasure of meeting her. She’s indeed a kind-hearted and gorgeous badass.

When people say that Steve and Sam are just good friends

bounddreamer:

lazulisong:

amanda-jean:

lazulisong:

jinglefalcon:

sad little voice in the wilderness saying “look Steve’s hot and all but SO MUCH CRAZY” like 2Kevr

Meg ilu you know my feels about ur fabulousness but i feel like stuff like this is missing the point? The tl;dr of my feels is let shippers have their shippppppp

poor sam/steve shippers already gotta deal w a literal truckload of sam marginalization and racism and prioritizing the angsty white bro otp (my own otp i love u but u have ur own problems, u problem child) to the tune of 16k+ fics on ao3 like damn we know what ships are valued on a wide scale in fandom and this one ain’t

This post and stuff like it is for sam/steve shippers, really. they need their space to react and explore and enjoy just like everyone else, maybe more bc they are so drowned out and dismissed, and I doubt any shippers want to hear yet more reasons why sam/steve isn’t a thing for someone.

SORRY FOR HAVING A WEIRD DISCUSSION W MY FRIEND ON UR POST GUYS but I wanna make sure I or meg don’t accidentally step on your toes again

yeah you’re right I was a grumpy asshole and I apologize

to clarify I dont have a problem with samsteve as a pairing I just don’t characterize Sam as being willing to put up with Steve’s bullshit – and you know Steve would be full of it – but I should be less yelling about it

I do not promise to be less yelling about stevetonybucky because why the hell would you stick tony stark in with Steve and Bucky when sam is literally RIGHT THERE

Thank you friend I am one of those sad Steve/Sam shippers sitting out there in the cold wilderness with only my blanket and insane cat keeping me warm

ballvvasher:

explodingcrenelation:

explodingcrenelation:

Have we talked about this scene yet? Because I want to talk about this scene and why it’s important that this is the memory Steve is thinking about right before he has to face the Winter Soldier again.

We all know how out of place and unhappy Steve feels in modern society. The movie doesn’t make any bones about it. Even though good ol’ Cap exudes positivity, we see how he uses his time. When he’s not at work for SHIELD, he’s grasping at straws, trying to catch up, trying to make sense of how he fits in a world that’s moved on without him. When Steve starts to feel out of place even when he’s playing soldier for SHIELD, Sam tells him that he could do something different, anything at all; but Steve looks blank. Sam asks him what makes him happy, and Steve doesn’t know. 

The only thing that keeps him going is knowing that his sacrifice helped save the world. As he says to Peggy, he always wanted to do “what was right,” and at least he can take some comfort from the fact that he helped save countless lives from Hydra by losing everything that meant a damn to him.

That is, until he and Natasha find Zola in the underground bunker and they find out that Hydra is still alive and well – thriving, even – within the ranks of SHIELD. 

This is the moment Steve learns he gave up his life for nothing.  

So. The flashback scene.

I’ve heard some people say that they think the scene is extraneous. That it’s enough to know that Bucky and Steve were friends way back when, only Bucky doesn’t remember (and if you want more skinny!Steve and scenes of Bucky and Steve being chummy, go back and watch The First Avenger). On the surface, it may seem like this scene is rehashing old territory, but it’s actually telling us quite a bit more than that. 

Bucky is walking Steve home after his mother’s funeral, and Steve is obviously vulnerable and shaken. His parents were the foundational figures of his life, and they’re both gone now. Before Bucky can even get the question out, Steve rejects the idea of moving in with Bucky. He insists he can get by on his own. Then he fumbles clumsily in his jacket looking for his key, but he can’t find it. Bucky casually picks up the spare and hands it to him. 

This moment.

It’s such a simple gesture, but the camera focuses in on that key like it’s the freaking Tesseract. Why? Why is this moment with Bucky so prominent in Steve’s thoughts? Why not something out of their days together with the Howling Commandos? Or why not something from when they were kids running around on the playground? 

This moment is an echo of exactly what Steve’s feeling in the future: lost and alone. Everything that means home is shut behind the locked door of time (or a coffin lid).

But against all possibility, Bucky is alive. And, to Steve, Bucky doesn’t just have the key back home, he is the key back home.  

“I can get by on my own.”

“But the thing is, you don’t have to.”

Suddenly that promise is everything. If Bucky is still alive, then Steve isn’t alone. He didn’t make a mistake putting the plane in the water. There’s a meaning for him to be in this time and place, and Bucky is that meaning. That’s why Steve has to believe Bucky will remember, why he desperately doesn’t want to fight him. Steve wants them both to be able to go home again.

Reblogging this because it seems relevant with the recent release of the Civil War trailer. 🙂