This beautiful Swedish lady sings an ancient Viking song. Now watch how the cows respond.
It is often argued that everything our ancestors did and said gets stored into our brains. Their experience and knowledge gets passed down from generation to generation. This may explain why we know or react to certain things without having any prior knowledge.
Kulning is an ancient herding call used in the Scandinavian region. The call is a high pitch tone that can reach long distances. The herding call sounds more like a haunting and sad melody meant to echo through mountains and alleys.
It was getting late and foggy on a magical night last month when Swedish artist Jonna Jinton wanted to try kulning. She wanted to find out if the animals would answer to the call their own ancestors heard when the women called them. Kulning might just be one of the most beautiful and enchanting sounds ever made.
Never in my life have I so badly wanted to be able to download the audio from a video.
The thing about emo (as a musical genre and a cultural phenomenon) is, I think, that it was a response to the September 11, 2001 terror attacks and the Bush administration’s painful mishandling thereof.
No, I’m serious. My Chemical Romance was formed as a direct result of Gerard Way witnessing the towers fall. Green Day’s ‘American Idiot’ (an album that, at least as far as I can tell from having been a teenager in Canada at the time, was seminal in influencing the look and sound of emo) is all about the Bush administration – all the lyrics are about life under a democratic dystopia and many reference current events from the time – and it came out in 2004, halfway through the Bush presidency. A bunch of Linkin Park’s stuff makes reference to it also, especially their album ‘Minutes to Midnight’, where they first started moving out of the nu-metal/rap sound they’d been working with before and into a more mainstream emo-rock sound. That album came out in 2007. All of the really big bands with that kind of sound – and most of the smaller ones with more of a punk/hardcore sound but similar themes – were active in the mainstream from around 2001-2010. Many of them didn’t survive past 2009, and those that did either totally reinvented themselves (Fall Out Boy, Panic! At The Disco, MCR for the five minutes it took to produce Danger Days, Linkin Park) or became near-totally irrelevant (Paramore dropped an album sometime in the last two years; did any of you know that? And Green Day haven’t mattered since 21st Century Breakdown, which was released in 2009).
Why? Well, many of you are probably too young to remember this, but the 2001 terror attacks were what really made ‘Islamic terrorism’ a real threat in the minds of most Westerners. We’d never experienced an attack of that scale on American soil, and it was just as the internet was really becoming a mainstay in every house and my generation was getting online. As a result, it was not only a major political event, but it was hugely personal – the coverage was everywhere, in everybody’s home, all the time, and there were a lot of kids being exposed to the coverage in such a way that they often had no good way to process it. I’m not exaggerating when I say it changed the way we live. I’m Canadian and I felt this shit. Before, we could fly to America domestic, without a passport. Now? Half the draconian, ridiculous rules that hold you up at the TSA today were initiated in September and October of 2001. It was the only thing anyone could think of to do – lock down, protect your own. People were scared, on a continental scale.
And to make matters worse, George W. Bush’s government, which had to somehow respond to and take point in the response to this unprecedented event, didn’t seem to have the first foggiest clue what they were doing. This was a government that not only didn’t seem to listen to its people, not only lied blatantly to its people, but did it badly. They made hugely unpopular decisions, including starting a war in the Middle East that dragged in multiple countries and completely failed to achieve its stated goal of catching Osama bin Laden or proving that he had in his control weapons of mass destruction (the whole war was predicated on the fact that these so-called weapons of mass destruction existed, that the Bush administration had good reason to believe that they existed, were under the control of the Taliban, and were going to be used against Western targets, none of which was ever proven to be true).
So, from 2001-2009, the two (TWO) full terms of the Bush presidency, there were a whole lot of people who couldn’t vote (be they under the age of majority, like most of the emo kids I knew, or Canadians unhappily dragged along with the US’ boneheaded foreign policy decisions because we’re allies, also like most of the emo kids I knew) and therefore felt, not only scared of basically the impending end of their world in a way that they hadn’t previously had to feel, and not only angry about being clearly lied to and clumsily manipulated when the truth was obvious to anyone with eyes, but also powerless to do anything to change anything about that. And meanwhile, people kept dying in this pointless war and the president kept trying to hold together the illusion that everything was hunky-dory.
And what was popular with teenagers from about 2001-2009? Yep. Emo.
Emo as a genre was very personal, very focused on the individual (with the exception of the albums I noted above), but lyrically and musically, it fit right with the cultural atmosphere of the time. People were scared of the impending end of their world/their lives? Three Cheers for Sweet Revenge and The Black Parade. People were angry about things they felt powerless to change? From Under The Cork Tree and Decemberunderground. Emo captured what kids were feeling about trying to fit into a world that was so clearly fucked up and broken and pretending to be okay, putting on a strong face to Show The Terrorists They Didn’t Win. Emo was about stripping away the mask, exposing the messy, angry, frightened, sad, true underbelly of American society at the time, and exposing hypocrisy – in individuals as much as in politicians. The hatred of ‘preps’ and ‘posers’? Totally not just a My Immortal thing. Emo was about wearing your heart on your sleeve, about it being okay to mourn, to rage, to be afraid for your life beyond this – and to keep moving forward regardless, step by slow step.
So what changed in 2009 that made the phenomenon fade without so much as a whimper? Simple. Hope. The Audacity of Hope, to be exact.
Barack Obama won his presidency largely because young people supported him. Those were the young people who suffered through feeling helpless and powerless under Bush, who wanted things to change but felt they had no chance of making it so. Barack Obama was a chance. One of his first campaign promises was to end the Iraq war, a promise he followed through on. And even if his presidency hasn’t been perfect, it has never been the Bush administration, with the feeling that the will of the people was being entirely and quietly ignored by those in power to further their own agendas.
What I am saying, then, I guess, is that it’s time to buy stocks in Hot Topic, because whatever happens in the upcoming US presidential election, there are a lot of young people who may soon be needing black, white, and red graphic band tees and Manic Panic hair dye.
From someone who was in American high school in 2001, we were also incredibly terrified for at least the early Bush years. We were all pretty sure that the draft could possibly be reinstated and we could get sucked into the war. Some of my friends and I had plans on how best to get Don’t Ask, Don’t Telled out of the draft. We were all absolutely terrified of the prospect.
So I found this CD on the street today on my way to work, right? So I decided I’d bring it home and listen to it.
And it was the best decision I’ve ever made in my life.
this is like an 80s anime theme song
what even is this, like yiddish ska or
Somehow BOTH of these comments are accurate
Everything about this is fantastic, so I dove into the reply-viewer to see if anyone had found the source of this amazingness and it seems that people have, but for some reason, reply viewer wouldn’t let me reblog it from either of them, so… ^_^
According to @yamuge, this is the CD: http://jewishmusicreport.com/2010/03/10/free-cd-from-mishpacha-cover/
And here’s a blurb from the website about the CD:
Mishpacha Magazine will be giving out a brand new CD, produced by
TeeM Productions for Pesach. Brand new songs composed by Yossi Green
& Pinky Weber. Arranged by Mona Rosenblum, Moshe Laufer and Leib
Yaacov Rigler. Sung by Avraham Fried, Shloime Gertner, Shloime Taussig,
Yisroel Werdyger, Shragy Gestetner, Motty Ilowitz and Chilu Posen. The
CD will have 7 songs.
And according to @quetzadrake, the song is called Kedai by Shloime Taussig.
Thank you both for the information! ^_^
PLEASE LISTEN TO THIS YOU DONT REALIZE WHAT YOURE MISSING
when a song ascends through its meme status
this is now officially my funeral song
Jesus help me it’s beautiful what halp.
George Blagden’s missing verse, with musical accompaniment.
wHAT THE FUCKIGN SHIT I THOUGH T THIS WAS GONNA BE A RICK ROLL
aaron tveit – radiohead – creep (irving plaza, nyc)
Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it”
Our Band Director then informed us we sounded perfect.
To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.
I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…
Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.
Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.
One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.
This is the best band post
Everyone else go home
Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this
which is 8 fortes. We were shocked until,
that is 24 fortes who the fuck does that
Who does that?
This guy. Take a good look – that is the moustache of a man with nothing to lose.
More like Julius Fuckit
Bless this post!
Air for a Wise Celtic Fool (Studio Record) // Killian Donnelly
Our hatred stronger than our fear.
Men will soon shed blood, while women shed their tears;
Still they’ll never understand.
I’ll stand and fight;I will not run,
But when this bloodstained day is done-
I am not sure that anyone,
Will ever, ever understand.
Will you ever understand
Anyone else listen to this song on repeat and make yourself sad because Combeferre?